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Day 1653 - Blue Roses, I'm a Poet

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It has now been just over a month since Kerry the Cocktail and MerryAnne walked away from the BRS and the TWOM blog. As they left, the pair decided for some reason to block me from viewing their twitter accounts, and if I am honest, I've not given them any further thought since.

The reason that I am mentioning the two former BRS members today, is because it has been brought to my attention that a rather interesting anonymous comment has been left on their TRAP WORM blog. The blog entry; which is entitled Sister I'm a Poet, and is about poets that inspired Morrissey, is written by MerryAnne. Here is the anonymous comment that was left approximately 2 hours after the article was published:

Anonymous 22 March 2016 at 21:33 -

Many believe Morrissey wrote Sister I’m a Poet with The Glass Menagerie by Tennesee Williams in mind, whilst others say certain lines are inspired by the Patric Doonan film All Over The Town. While Morrissey rarely mentions Williams in interviews, there exists an instrumental demo from the Southpaw Grammar-era (Miraval recordings), featuring a sample looped from an old radio recording of The Glass Menagerie. In the play itself, a young man named Tom is unfulfilled with his drab warehouse job that must be endured to support his wilting mother Amanda (Williams had a fascination with passé Southern belles) and limping sister Laura in their dreary apartment. Tom spends sleepless nights wandering all over town, claiming to frequent cinemas, but is more likely frequenting bars and getting himself into all sorts of trouble, much to the ignorance of the ladies in the household. Tom appears rather well-read and aspires to become a poet, often jotting poems down in the loos at work whilst taking breaks from the mind-numbing grind of manual labour. His coworker, Jim, refers to Tom as ‘Shakespeare.’
Meddling mother Amanda wants to try and marry off her daughter, but Laura spends most of her time avoiding life and polishing her collection of miniature glass animals (well, who can really blame her?). It so happens that Laura’s nickname in school was ‘Blue Roses,’ a name bestowed upon her by a jock who caught her eye. In fact, the theme of blue roses figures quite prominently throughout the play. To make a seven-scene play short, Tom sets Laura up with his co-worker Jim, and it turns out Jim is the jock she admired during her school years. Jim visits the apartment and Laura spends most of her time, naturally, hiding. He doesn’t realize who Laura is until she reminds him of the ‘Blue Roses’ nickname. They kiss as her face is washed in the rose silk of a fancy lamp acquired by Amanda to seal the deal, but alas, it was not meant to be.

TENNESSEE WILLIAMS

Needless to say, I had never read/seen/listened to The Glass Menagerie (TGM), but the anonymous comment; which is obviously posted by a member of the Blue Rose Society, grabbed my attention, so last night I decided to listen to a 1951 radio broadcast of the play, which I thoroughly enjoyed. There is a world full of plays/films/books that I know nothing of, which I fully intend to explore in later life... there is no rush. I actually got around to watching Cocteau's Orpheus the other week! Anyway, I digress.

None of the lyrics to Sister, I'm a Poet seem to have been influenced by Williams's TGM, but there is no doubt that the title of the song may very well have been. Simon Goddard's Mozipedia makes no mention of TGM, and seems to think the song title was something to do with Morrissey's own sister, which goes to show, how little Goddard knows. The fact that a Morrissey song was (possibly) influenced by a play that has a character called Blue Roses, is yet another piece to our jigsaw; not that the BRS was in existence in 1988 when Sister, I'm a Poet was released, but the connection of blue roses to Morrissey just keep popping up.

Julie Haydon photo2.jpg
JULIE HAYDON - THE FIRST ACTRESS TO PLAY LAURA 'BLUE ROSES' WINGFIELD

There are other points mentioned by 'Anon' that I find interesting. I have never seen the Patric Doonan film, All Over The Town (add it to the list), and have also never heard it mentioned as a possible influence for Sister before. I had previously read on PJLM of the instrumental from the Southpaw era with the sample of The Glass Menagerie, but according to PJLM, the sample was supposedly taken from the 1950 film adaptation starring Kirk Douglas, whereas 'Anon' has stated that it was an old radio recording. The use of the words 'jock' and 'co-worker' lead me to believe that 'Anon' is an American or Canadian member of the BRS.... Heather? Jaz? or perhaps even MerryAnne herself? Whoever 'anon' may be, it is certainly an interesting comment.

Meanwhile, back in The Arms, there have been a few brief appearances by Our Mozzer aka @BRSChairman this week:

SUNDAY 21ST

"Make them breed, make them work, and when they're past working or breeding or begetting, slaughter them"

I presume the above tweet was an add-on to the TTY statement made the same day about the British monarchy, entitled A-Hunting We Will Go!. I guess that once they have been slaughtered, OM would have them be buried in council car parks.... and why not!

KING RICHARD III - BURIED IN A COUNCIL CAR PARK IN LEICESTER 

WEDNESDAY 23RD

"Zayn Malik is a pop star in his head and his bedroom. But not in the recording studio."

"G'day"

THURSDAY 24TH

"Wouldn't it be nice to be on the land of skippy and Home and Away. I must book a holiday."

In response to @mancladmozfan tweeting, "indeed a bit of R and R before the April tour kicks off": "I much prefer June"

So, does this mean Morrissey is currently in Australia, or is perhaps heading there? And is OM suggesting that the previously mentioned tour  is now happening in June?

And what is happening about running for London Mayor? The nomination procedure began on March 21st, and finishes a week today. I think that it is probably fair to say, that Morrissey's serious consideration period has now ended.

I shall sign off today, with The Mozziah's last tweet, which was posted at 2.17 this afternoon:

"Most of you say things that you think will make me have empathy. There is little truth in the conversations I have. Be yourself."



THE TOP 10 MOZ/BOZ COMPOSITIONS, AS VOTED BY YOU:

1. NOW MY HEART IS FULL

2. SPEEDWAY

3. MALADJUSTED

4. THE WORLD IS FULL OF CRASHING BORES

5. JACK THE RIPPER

6. COME BACK TO CAMDEN

7. ISTANBUL 

8. STAIRCASE AT THE UNIVERSITY

9. OBOE CONCERTO

10. THE MORE YOU IGNORE ME, THE CLOSER I GET

Day 1666 - Virtual Insanity

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It has now been two weeks since I last wrote a blog entry, because bugger all has been going on in either the world of Morrissey or MorrisseysWorld. The world's number 1 Morrissey Internet pub, TheWrong Arms, has also been exceptionally quiet, although MerryAnne has now returned to the fold. There is still no sign of the other one who went off in a "different direction" with her, so one must presume that she is totally lost! No doubt she will return at some stage, or not... some do, some don't!

The reason that I am writing this entry today is because yesterday, Our Mozzer made a very brief return to The Arms to post a tweet in response to the new 'official' Twitter account that appeared, under the name of, wait for it..... '@Smiths_Official'. Our Mozzer simply tweeted, "Joyce, is that you?".


THE JOYCE GOAT

Within 24 hours of the 'official' (it has the white tick in a blue cloud) Smiths account appearing, over 16,000 sheep are following it, even though A) the Smiths broke up nearly thirty years ago B) It clearly states that the account is managed by Warner Music UK C) There had been no tweets from the account. There is NO D).

The arrival of this 'official' account sent Solow into meltdown, with the completely retarded Uncle Skinny claiming that a Smiths reunion was, "the logical conclusion and the only thing that can happen". WHAT is WRONG with people? HOW can the world be full of such complete and utter morons? How can a Smiths reunion possibly be the ONLY thing that can happen in Morrissey's career?.... mind you, I have written about the Solowers' logic before on Day 508.

MORRISSEY IN HIS FUCK MORRISSEY-SOLO.COM T-SHIRT

At 9.46 am this morning, the 'official' Smiths account tweeted, "Please note this account is purely to celebrate the history and the music of The Smiths".... well there's a surprise!

And just after 5.30pm this afternoon, TTY issued the following statement under the heading Warner UK:

"A Smiths/Morrissey Google alerts/Twitter account has been opened by Warner UK. Morrissey would like to stress that this account has not been sanctioned by him and has no connection to him. Follow it at your peril."


In other Moz news, another TTY piece was posted two days ago, which was a quote from Bill Oddie on how he finds Ponce William hypocritical. The TTY piece is humorously entitled, "Bill Oddie, who hates Morrissey, comments on William The Terrible's endorsement of trophy hunting". As titles go, it's one of my favourites. I had completely forgotten about Oddie laying into Morrissey during the 2006 campaign to find Britain's Greatest Living Icon; which incidentally Morrissey came 2nd in, behind Oddie's man, David Attenborough. Oddie himself is of course a hypocrite for accepting an OBE, and is also a bit of a twat. Rather interestingly - to me at any rate - David Bowie is the first of those Top 10 Greatest Living Icons to die, which in 10 years I find surprising!

BILL ODDITY OBE - NOT AN ICON

*Gone*

Day 1670 - No More Tours (Enough is Enough)

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A statement has been issued on Morrissey's semi-official/unofficial/mouthpiece thingy, True-To-You entitled, Morrissey Far East.

It is a short statement which reads:

Morrissey's whispered live dates for the Far East have been pushed back until such a time when there is a new Morrissey recording.

"... by which time the common pigeon will no doubt be facing global extinction..." Morrissey has said.

The article also includes a couple of old Moz photos from the 90s
So, WHAT exactly does it mean?
The words, "pushed back" would seem to suggest that this is just a temporary postponement and not a complete cancellation, and yet the reference to the extinction of the common pigeon; of which there are currently around 17-28 million in Europe alone, would suggest that the Far East dates ain't coming any time soon.

Paloma bravía (Columba livia), Palacio de Nymphenburg, Múnich, Alemania01.JPG
A COMMON PIGEON.... ALTHOUGH I'M NOT SURE HE'LL APPRECIATE BEING CALLED COMMON

It is interesting that the TTY statement reads, "a new Morrissey recording" rather than "a new recording contract" or "a new album", which has already been interpreted by some to mean that the "new Morrissey recording"could in fact be a reference to the audio version of List of the Lost, which is due for release on June 30th.


The Morrissey quote at the end of the TTY statement might noteven be related to the first paragraph about the Far East tour at all, and could either be an excerpt from a new Morrissey interview, or may just be a random sentence that, "Morrissey has said"... possibly even to himself! To write, "Morrissey has said" is in itself a rather bizarre thing to write, but moving on from that, what about the mention of the pigeon? Coincidentally; and I do really believe it is a coincidence.... I think, I posted a number of songs on Twitter yesterday by Pidgeon, the band formed in the late 60s by Jobriath.






07_Jobriath_arquivo_4_07.jpg

Lastly on the subject of the TTY statement, what relevance are those old 1990s photos, and WHY is HMV written on them? Could it possibly mean that we are to see a re-release of Jack the Ripper on vinyl and CD? And could a live version of Speedway be on the b side? It would be a nice way to mark 25 years of Moz and Boz. You read it here first ; )



A tour could be coming sooner than than those pigeons think, but in the mean time.... the English cricket season begins today - HURRAH!



Day 1672 - June June June

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Since the publishing of the TTY article on Saturday; which featured two old pictures of Morrissey on what looked distinctly like an HMV record cover, debate has raged among the BRS... actually 'raged' may be slightly over the top... and I guess it has hardly been a debate as such... hmm... let me try again. Since the publishing of the TTY article blah blah blah, conversations have taken place between members of the BRS; namely GWO, Chucky Orange and me, regarding the meaning of the wording on the two photos:

The words on the first photo, "the thoughts of jack the ripper" are fairly straight forward, as it is a reference to the very first song that Morrissey and Boz wrote together, Jack the Ripper.... I wonder if The Thoughts of Jack the Ripper was the original working title? It was certainly how Morrissey introduced the song at the two concerts at the Royal Albert Hall in 2002 (I attended the second night, and was sat behind David Baddiel).

The words from Speedway are also fairly straight forward, but what has had us puzzled, are the words, "as we return to wherever we feel certain we'll end up". Is it a new lyric? Is it an old Moz quote? A Google search has returned nothing, and so we thought we had reached a dead end, but at 12.21 this morning, the Twitter user FatAuntMabel tweeted, "When it comes to life, we spin our own yarn, and where we end up is really, in fact, where we always intended to be."

It's not exactly the same quote as the one on TTY, but it could well be an inspiration for it. And here is the interesting bit, a Google search has revealed that Mabel's words are a quote from the Julia Glass novel of 2002, Three Junes. Could it be that Morrissey is telling us that the release of the single is, as Alfs Button used to say, "June, June, June"? Probably not, especially as the quote from Three Junes is NOT the quote on TTY, but you never know. I had actually presumed that the JTR single would be released this Saturday for Record Store Day, but who knows?


I have no idea who FatAuntMabel is, but would guess that it is either one of the BRS members, a Morrissey pessoa, or maybe Kevin Mar(r)inane.... although I can't imagine Marrinan has read Three Junes! The Mabel account has been in existence since January 2014, but the Three Junes quote is its very first tweet. Mabel's profile picture is that of the actor Anthony Franciosa from the film Senilita, which Morrissey used in 2011.


FAT AUNT FRANCIOSA

In other news, I have this week exchanged tweets with Radio 2's Jeremy Vine, after he gave an interview to pint-sized Moz fan and author, Julie Pigsick. In the interview, Vine stated that his first and only Smiths concert was in Newcastle in the winter of 1983, with Vine telling Julie, "I remember it vividly because the very first song - 'What Difference Does It Make?'". I tweeted to Vine because the Smiths only concert in Newcastle in the winter of '83/'84, was in March, where they opened with Hand in Glove. I suggested to Jezza that perhaps he had dreamt the concert, and told him that it was more than likely that he had in fact attended the March concert, but he replied, "they definitely started with 'What  difference does it make?'" - the passing of time can play hideous tricks on the brain.

image
JEREMY VINE & JULIE HAMILL - PHOTO BY JEREMY VINE (PRESUMABLY TAKEN ON JULIE'S CAMERA PHONE... HE HAS LONGER ARMS!)

And finally, it has been announced that the beautiful Jessica Brown Findlay (of Downton Abbey fame) is to play the part of Linder Sterling in the upcoming film, Steven. A perfect choice. I still don't know HOW the writer, William Thacker can possibly KNOW the thoughts of a delinquent Morrissey, so am still sceptical about the film, but am looking forward to it none the less.



LINDER BROWN FINDLAY STERLING

And finally, finally, yesterday a found a photo on Twitter of a cloud that looked like Morrissey, so I tweeted it. This afternoon, TTY has posted the picture. Hmm.



Day 1678 - It just wasn't like the esoteric days anymore

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Not much is kept quiet in this modern day of social media, and so when Morrissey arrived in LA on Thursday, the whole Morrissey community soon got to know about it.


MORRISSEY BEING CHAPERONED THROUGH LAX BY THE 2008 X FACTOR WINNER, ALEXANDRA BURKE, WHO IS NOW EMPLOYED BY THE AIRPORT... AT LEAST SHE HAS EMPLOYMENT, MANY OF THEM DON'T!

I have no idea what time Morrissey was travelling across the world, but the perceived Moz pessoa, Not Astra's Derrière (@SoStarkSoHaunt - aka Not Bot) was busy tweeting on both Thursday evening in the UK, and then late Thursday night in LA, so it is quite plausible that Morrissey left the UK (if he was even in the UK) either late Thursday night or early Friday morning.
Many of Not Bot's tweets were in conversation with a new tweeter called @angelofdisdain, who is quite possibly yet another pessoa. Angel of D arrived over a week ago, and was greeted by Not Bot tweeting,"About time we had a little more va-va-va-VOOM around here. Hello, Rose. Your décolletage is just the right colour of OUI".

As I type this, Angel of Disdain (Rose???) has disappeared, so I am unable to report the full conversations between her and Not Bot, but here are some of Not Bot's tweets from recent days:

THURSDAY 10.15 TO 10.20PM (UK TIME)

"A little bit of anything is the fastest road to everything"

"@angelofdisdain Even in our final hour we always be, the two derrières without compare"

"Staggering skyrocketing head titled back will you ever catch me? The moon searched, but I was always here"

"Capricious in shadows, apricot nectar, time sighs, purity in every glance"

(Could mention of "in our final hour" and "skyrocketing head titled back" be references to flying?)


MORRISSEY TRAVELLING BA CATTLE CLASS

THURSDAY 11.10PM (LA TIME)

"I can resist everything except temptation. I can tempt anything except those who stick to their own resistance. Tempt me now. Tempt me something. Resist me, why? Tempt me never"

"Slinking in. Slinking out"

"Cat's eyes on me Existing nowhere. Backlit. Arching. Your ELIXER"

Of course, Not Astra's Derrière might not be a pessoa of Morrissey's at all - who knows? But one pessoa that is Morrissey, is @BRSChairman aka Our Mozzer, who made a return to The Wrong Arms  at 7.17am (LA time) yesterday. Here are the tweets:

"I belong to a generation you only belong to in spirit"
I replied, "In spirit? You haven't died, have you?'. OM responded a couple of hours later tweeting, "Several years ago. Were you not paying attention? I just cannot acquire the staff these days". Frank (@EnoughSari) then joined in to say, "I volunteer. No salary needed", to which Our Mozzer replied, "No salary was offered. I am not a charity".

MORRISSEY - WHO DIED IN 1986 - "NOT A CHARITY"

OM's only other tweet of yesterday was, "My lyrics used to be esoteric. Now they are universal. What changed? Life amigos. Just life."


MORRISSEY IN THE DAYS WHEN HIS LYRICS WERE ESOTERIC... BUT HAS THE WORLD CHANGED, OR HAS HE CHANGED?

In other news, I have only just discovered that an Official UK Vinyl Singles Chartstarted in April of last year. I cannot believe that I had missed this 'happening', and I am now debating with myself as to whether to continue my collection of Number 1 singles by buying the Number 1 vinyl single each week as opposed to the plain old Number 1 single; which these days doesn't exist in physical form, and therefore CANNOT be collected.

The past year has seen Number 1s achieved in the Official Vinyl Singles Chart by the likes of: Noel Gallagher, Paul Weller and Robert Smith with new releases, whilst David Bowie, Queen, Bob Dylan and the Rolling Stones have all hit the top spot with re-issues. Johnny Marr has had two Number 3s, with I Feel You (released for Record Store Day (RSD) 2015) and Candidate, but the closest either Morrissey or Marr have come to scoring their first 'Official' UK Number 1, is with Jeff Buckley's version of The Boy With The Thorn In His Side, which currently sits at Number 2; although it is very unlikely to reach Number 1 as it was RSD 2016 last Saturday, so I would imagine that Bowie's reissue of TVC15 will enter at Number 1 on Friday. Perhaps the re-release of Jack The Ripper will see Morrissey record his first ever Number 1, we shall have to wait and see.





And finally Esther, and finally Cyril, it would appear that the shooting of the film Steven is underway, as the screenplay writer, William Thacker (@ThrillWhacker), this morning tweeted, "Over the moors" and posted a photo of a rickety old barn and a leafless tree.


OVER THE MOORS - PHOTO BY WILLIAM THACKER

I tweeted William to ask how he could possibly know what a young M was like, to which he replied, "Time will tell!"

William Thacker
THACKER'S TWITTER PROFILE PIC - MORRISSEYESQUE

Day 1682 - "Artists do not die"

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In my last blog entry I mentioned that I had asked Morrissey if he had died. Although he replied that he had ("several years ago"), I am glad to report that he actually remains one of the few in the entertainment business who has remembered the art of breathing in 2016, whilst the others drop like flies.

On Wednesday we lost 'the female Morrissey', Victoria Wood; a woman who Moz once said that he would happily marry, and then yesterday the world lost 'the Prince of pop', er, Prince.

Morrissey issued a short but heartfelt message on TTY regarding Victoria Wood, followed a few hours later by a tweet from @BRSChairman saying,"The passing of time and all of its sickening crimes is making me sad again"



There has been no TTY statement regarding Prince, but the Chairman took to Twitter just a few hours after the news broke to tweet, "Artists do not die". There was obviously a mutual respect between the two icons of popular music.



Victoria Wood was not only a friend of Morrissey's, but her brilliant song, 14 Again, was the influence for Rusholme Ruffians. Victoria famously interviewed Morrissey in 2013 about his love of tea, and even tweeted about it, but rather interestingly, VW - who only ever posted FIVE tweets -  didn't post the tweet about Morrissey at the time of the interview, but TWO YEARS LATER! And even more interestingly, she (mischievously?) asked, "Is he on Twitter?' Could Victoria possibly have known about Morrissey's secret twitterings? Had he let her in?


"Having tea with Morrissey... Is he on Twitter? - @VictoriaWoodUK March 5th 2015

We certainly know from an interview Victoria gave in late 2013, that following the 'Tea interview',  she both corresponded with Morrissey and met up with him on a number of occasions, so there is quite a possibility that he told her of MorrisseysWorld and the BRS, but unless Our Mozzer decides to tell us if this is true, I guess we'll never know.


A CUTTING FROM THE VICTORIA WOOD INTERVIEW FROM NOV 2013... WITH A MENTION OF MORRISSEY HAVING A PERSONA - CUTTING COURTESY OF GWO

I shall sign off today with Morrissey singing Speedway at Terminal 5 in New York in 2012, where in the pause, he recites a section of..... the Victoria Wood song, Northerners.



"Morrissey and I have been married for 11 months, though due to touring commitments, we have yet to meet" - Victoria Wood 1985


Day 1685 - Lounging Around Part 3

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Whilst mooching through my draft pages this morning, I stumbled across this article from the MorrisseysWorld blog from April 2014, so thought I would share it.

TUESDAY, 22 APRIL 2014


Lounging Around Part 3

Please note: the first two parts of this series can be found on demi-semi-mesmerizing blogspot FollowingTheMozziah, run by an out-of-work bod on the Isle of Wight.

http://followingthemozziah.blogspot.co.uk/2014/03/day-917-our-mozzer-returns-with-new.html

Lounging Around Part 1

http://followingthemozziah.blogspot.co.uk/2014/04/day-934-lounging-around-part-2-parody.html

Lounging Around Part 2


"Boz..! Boz....!" groans the seminal artiste.

"You called, sire?" Boz replies, poking his head around the 1970s style glass door dividing kitchen from sitting room.





"More gin, Boz," groans the artiste. "No b*****d tonic water this time. And don't forget to pop in some omeprazole old son. The s*dding gastritis is playing up again."

"I can't tempt you with a Brian Clough Special, sir?" asks Boz, smiling with nauseating obsequiousness.

"I don't have a pint of vodka, let alone a thimble of orange juice, Boz. And even if I did - orange juice and gastritis hardly mix, do they?"

The seminal artiste flickers his eyebrows and rolls his eyes.

"I wasn't aware the FDA had approved neat gin as a gastritis remedy," utters Broken, flicking through his broadsheet newspaper. "I must have missed that memo."

"Why don't you have some of Boz's homemade wine, Mozzer?" asks Jonathan breezily.

"Boz Boorer's wine is about as palatable as his recent songwriting," groans Morrissey, closing his eyes. "Which is to say 'not very.' Both have that dreary predictability that comes with obese middle age; both lack complexity; both of them are liable to induce early morning vomiting on the faintest sniff."

"That's not vewy charitable!" insists Wossy.

"I have to say I didn't think Boz's wine was too bad at all," says Mikey Bracewell, sipping more tea.

"Not too bad! Oh I say, not too bad, kind sir! Like an ancient potion concocted from the blood of-"

"-Shut up Russell," Morrissey says with a terse glower.

"Perhaps you liked Boz's wine because it helps you forget how long it is since you had anything published," says Broken in an empathic voice. "Perhaps you have a drinking problem?"

Mikey Bracewell's face twitches slightly. After thirty seconds have elapsed he takes a sip of tea.

"I really don't think I..."

The men say nothing for three mintues and seven seconds while Boz prepares the gin in the kitchen. They watch the second hand tick round.

At last Boz enters with a large glass of gin on a silver tray. A capsule of omeprazole sits on top of the gin, slowly bubbling away as the enteric-coated lining dissolves.





"Ingenious," says Broken in his soft voice. "It reminds me of science experiment in school. We dropped a piece of potassium into powerful acid and..."

"BOOM!" laughs Russell, coarsely. "BOOM! I say... BOOM...!"

"Boom!" laughs Boz Boorer. "Boom!"

"BOOM BOZ..!" winks Russell, gesticulating wildly. Wossy laughs.

"BOOOOOOOOOM!" laughs Boz, louder now. Then he begins chuckling and slapping his thigh.

"Mother Mary give me s*dding strength," says Morrissey, clutching his crucifix.

"In this case, of course," says Broken. "The explosion is in Morrissey's gastric antrum."

"Nonsense," says the iconic star, taking the glass from his butler-in-drag. "This is therapeutic. You can't deny the medicinal effects of omeprazole old friend."

"A pint full of gin helps the antacid go down," says broken.

"...Acid go do-own! Acid go d-own..." sings Boz Boorer in a meaty voice, smiling fulsomely and then gazing at the seminal artiste, whose eyes close tightly.

"It's antacid, Boz. Not acid."

"I meant antacid, of course, sir..." says Boz. "Maybe you misheard me sir?"

"Turn the lights on!" says Morrissey assertively.

Solomon Walker - hitherto unseen lurking in the corner of the room dressed as a statue - stands to attention and looks very serious as he walks towards the iconic star, comforting him softly with his large, manly hands.

Then Morrissey points at Boz Boorer.

Solomon tries to identify the gentleman Morrissey is pointing at.
"...But sir, it's cold, and..." says Boz in a limp voice.

"I think that's..." says Solomon.... "... Boz Boorer."

"We don't need you. Go. We don't need you. Go..." says Morrissey.

The artiste continues pointing at Boz Boorer and steps backwards as Solomon Walker manhandles Boz Boorer away from the coffee table.

"Go! We don't need you."

"I was being ironic, sir," says Boz.

"Well you cab be ironic outside..." says Morrissey.

Solomon holds Boz's arm behind his back and leads him towards the utility room. He puts him in the garden, where he stands, staring at the grass, looking solemn.

"First my fans, and now my own session musicians..." sighs Morrissey. "The cruelty, the vitriol... will it never end?"

Wossy sniggers. Morrissey licks his lips.

"Barrett's oeseophagus is a very serious medical condition if not an outright disease. Mocking the afflicted is simply not on... besides, yet again Boz Boorer has demonstrated dereliction of duty. All I ask is for a pint of gin with slightly dissolved omprazole capsule on top..."

"Did he go and get it wrong again, Mo-ww-ee-say?" asks Wossy, looking glib. "Did he let it dissolve a bit too much again?"

"Absolutely... this is a very serious matter. We're talking life and death, or at least late night ulcer pain. I've told Boz clearly the enteric coating must be dissolved, but the medicine itself must not begin to leech out into the gin... I even bought him an egg timer to help him get it right. It takes seventy five seconds. But can Boz Boorer manage the simple task of timing it properly?"

Morrissey stares out of the window and looks glum.

"Lovely weather out there," says Broken, gazing at the floods of rain pouring down from the Cheshire sky. "At least give Boz a coat or something."

"A coat?" asks the artiste angrily. "Do have an emotional coat to protect me from the spite my fans hurl at me during concerts?"

"But your fans adore you, Morr-ee-say! We love you like spurned children at the annual Christmas gathering... we love you like-"

-"I'll t*at you out in a minute Russell."

For a while nobody says anything. Then the phone rings.

"Well, where's my butler? Boz...! Boz...!" says Morrissey loudly. "Get that phone!"

"I think he's in the garden, Morr-ee-say," says mikey Bracewell. "Shall I get him?"

"S*d him," says the mesmerizing monk of post-punk. "I'll get it myself... yes?"

Silence.

"No, mam. Yes, mam."

Wossy tries not to laugh. Broken rolls his eyes.


"I'll record it for you, Mam... Really? She never did?"

Broken turns the page of his newspaper.

"...What? Your neighbour's put the Jack Russell out again? What? Inthis weather? The C**t."




"...Sorry, mam. No, I know I said I wouldn't use that word again. Yes, it's because Jonathan's here. You know what sort of language he uses..."

Wossy rolls his eyes. Broken smiles.

"...Yes I know, Mam. I don't know how he gets on the tele either. Absolutely, man. Yes, mam. I quite agree he's a c**t, mam."


Day 1688 - The Sending off of Len Shackleton

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Last Saturday, I woke up with Big Hard Excellent Fish's Imperfect List in my head - probably because the Hillsborough tragedy had been on the news the previous evening. Imperfect List has been used by Morrissey on a number of occasions as his pre-concert entrance piece; including at the Manchester Arena in 2004 which subsequently was released as the film, Who Put The M In Manchester, and has therefore been popular amongst Moz fans over the past 12 years.
Having cleaned my teeth, I decided to play the List.



There are many interesting and thought provoking items on the Imperfect List, but the one that jumped out at me on Saturday morning was, 'the sending off of Len Shackleton' - it features near the beginning, sandwiched between 'Neighbours' and 'lost keys'.

Being a football fan, I am aware of who Len Shackletonwas, but had no idea what the 'sending off' referred to. I presumed that Shackleton must have been sent off in a match which Josie Jones, the author of the List, thought unjust.... although as to why a scouser in 1989 would be disturbed by the sending off of a Sunderland footballer whose career ended in 1957, seemed rather odd to me.

LEN SHACKLETON IN ACTION

I googled Len Shackleton and was unable to find any reference to a sending off, so I took to twitter and asked the other two artists involved with the writing of Imperfect List, Pete Wylie and Jake Walters (YES, that Jake Walters) if they could shed any light - unfortunately Josie died in March of last year, so as I am ouija board less, asking her was not an option.


WYLIE AND JONES IN THEIR WAH DAYS

Wylie didn't respond to my tweet, which is hardly surprising, as further research has resulted in discovering that Wylie had NO involvement with the drawing up the list, even though the Pete Wylie wiki page states that he compiled it! Jake however, DID reply:

"It's a bit of an in joke and a nod to an old friend of ours designer/artist Vaughn Oliver."

I asked Jake to elaborate, and he replied:

"The thing with in jokes is that often they're not funny (or interesting) to anyone else other than the people in on the joke."

I explained to Jake that the lack of humour didn't matter, and that I really wanted to know WHY the 'sending off', but thus far, I have had no further response.


WALTERS WITH MORRISSEY

I had never previously heard of Vaughan Oliver, but I have discovered that he is a well known designer, particularly famous for his record sleeve designs. What is more, Oliver is a Sunderland supporter, so it would make perfect sense that the Len Shackleton reference is indeed Oliver related, but WHAT IS the sending off about?

VAUGHAN OLIVER


DAVID LYNCH RECORD SLEEVE BY VAUGHAN OLIVER

There is another oddity about 'the sending off of Len Shackleton', it is in mono on the recording - whereas ALL the other items on the list are in stereo. I wonder if that was part of the in joke too?

All is quiet on the Morrissey front.

Day 1693 - Dictator of the passive

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Our Mozzer (@BRSChairman) put his head around the door of The Wrong Arms at 2.30pm (LA time) yesterday and tweeted, "Dictator of the passive".

The tweet immediately made me wonder if this could possibly be the title of a new album; in a similar vein to Ringleader of the tormentors - I am already visualising the album cover with a photo of Queen Elizabeth Battybird giving the bird.

DICTATOR OF THE PASSIVE

I made a quick check to make sure that a blogsite called DictatorOfThePassive1952 hadn't been set up, and can confirm that it hasn't. The reason that I looked up that particular blogsite address, is because on February 1st 2006; two months before the release of Ringleader, a blog entitled Ringleaderofthetormentors1972 was born; as was Morrissey's career as a blogger and subsequently a tweeter. RingleaderOfTheTormentors1972 was the prequel to MorrisseysWorld.

Morrissey started blogging OVER 10 YEARS AGO, and STILL no one has noticed.



I have often wondered why Our Mozzer added '1972' to the Ringleaders blog address. My own thought is that it has something to do with that Bowie performance on Top of the Pops in 1972. Perhaps that performance in 1972 is the point at which Morrissey realised, 'At last I am born', or maybe Bowie was the actual Ringleader of the tormentors, and not Morrissey.... or maybe not! Who knows!

The only other recent tweeting activity from Our Mozzer came last week, when he retweeted a photo posted by Bitter Bobby Neville (@geniussteals) of the late film director, Derek Jarman.


I have nothing else to report, but whilst trawling around looking for MorrisseysWorld bits, I found this item originally posted on the MorrisseysWorld blog on May 20th 2011. It is a great reminder of just how funny MorrisseysWorld was. I have added some links to some of the subject matter:


Good morning from Cheshire. What exactly is wrong with most journalists? Just as happened on the radio in recent weeks, when my views were cut and shut by a half-wit on the editing desk, so my beautifully-written newspaper article was crumpled into something resembling a bald rant about Her Maj. Here is the original letter reprinted in full, complete with editorial annotations/misrepresentations and a few choice comments of my own. Boz offered to defend me himself, of course, but bearing in mind the mess Boz made of writing a simple article on my blog last week, it will be a while before I trust him again. There is a reason I dock my guitarists a week's wages when they speak on stage...


The original letter sought to analyse two grave injustices and to demonstrate, through the use of a very clever analogy, how oppressive both the monarchy and the British legal system are.


The Queen's visit to Ireland is part of a new Palace PR campaign to re-invent the Windsors. The message from the Queen will be the same as ever: who we are born to is more important than what we achieve in life. Having achieved a great deal of success in the field of popular music with a small band known as The Smiths and a solo career spanning four decades, from the release of 'Suedehead' in 1988 to the release of 'Glamorous Glue' in 2011, I do feel well-placed to comment on this matter. Incidentally, you can still pick up 'the very best of Morrissey' on www.amazon.com for the very reasonable figure of £8.93; I don't know what that is in EUROs. And what, may I ask, have Mr Joyce and Mr Rourke achieved over a similar timescale? (edited this - not sure it adds weight to your broader argument. Interesting points, though. Bloody good value 'best of' - ed)

Similiarly, Andrew Rourke's visit to Eye Weekly last decade was part of a new rhythm section campaign to re-invent the entire history of the band formerly known as The Smiths. The message from Rourke is that pattering away on a bass guitar is just as important as writing classic pop songs, singing them beautifully and reinventing the face of popular music and pop iconography. Just as Poly Styrene trumps Kate Middleclass, so I feel Morrissey trumps Rourke. In other words, stop whining about little old me, and try actually coming up with some new music. You don't want to be a parasite for the rest of your days... (relevance? Perhaps you could write us another article about the break-up of the Smiths - ed No chance - Moz )

It should be remembered by the Irish people that as recently as the turn of the 1980s the Queen supported Margaret Thatcher by not dismissing Thatcher as she allowed hunger strikers to die at the Maze Prison, most famously Bobby Sands, who was 27 years old. As Sands starved to death in protest at being tagged a 'criminal' and not a 'political prisoner' by the Thatcher government, the Queen sat in her Palace and said nothing. If the Queen had any human feelings for the Sands family or other hunger strikers then she did not express them.

Similarly, Judge Weeks and the Queen sat idly by while I was forced to downgrade from one litre bottles of strawberry and banana 'Innocent' to those small bottles that wouldn't satisfy a bluebottle. The credit crunch has affected us all, you know... The Queen, as head of state, ought to apologise for both miscarriages of justice. Sands and Morrissey, Sands and Morrissey. Has a ring to it. By the way, I notice Old Weeksy is at it again: http://www.timesonline.co.uk/tol/new...icle588551.ece Only at least this time the old duffer is awarding some millionaire's assets to a legitimate charity - Old Joyce may well be a charity case, but that's not quite the same thing, is it? (interesting points all, but libel issues arise, sorry Morrissey - ed )

Not only did the old sow (steady on - ed - true, the pig is a noble animal - moz) preside over the Sands tragedy and the Morrissey catastrophe, but The Queen only went and gave an OBE to a broadcaster I know well who cannot even speak properly, whose identity I shall protect here for legal reasons. He enjoys the odd visit to www.online-strip-poker.com, he has not a jot of wit or imagination and, frankly, possesses no discernable talent. Imagine that: a former BBC TV presenter who once drew a seven figure salary, and who dresses like a visually impaired traffic warden, receiving an OBE. And for a lifetime of blood, sweat and tears shed in the never-ending quest for lyrical and vocal perfection by the singer from the Smiths? Oh, nothing. But forget about little, old me. It seems EMI already have... (sorry, would be better in the autobiography, I think - ed.)

The full meaning of the Smiths is, like the Queen herself, a complete mystery to most people. It is protected from any investigations by ridiculous stories of trivia, urban myths re: sackings of bassists with postcards under the windscreen wiper, and on-again-off-again accusations of racism with no basis in fact. The most revealing statement came from The NME last millenium, when they warned that any British people carrying Morrissey placards who are "seen in the vicinity of the NME offices" would be pointed at and laughed at. This means that any political dissent in England is silenced in order to protect Joyce/the NME, which in itself goes against every principle of democracy. Honestly, it's a farce, really. But then what do you expect in a country where judges are able to get drunk before passing down judgments and can make over 50 mistakes in a judgment without being held to account? And yet if little Mozza goes out and makes the odd mistake, one never hears the end of it... Still, that's the gutter press for you. By the way, no offence intended to the nice chaps at www.hotpress.com... (I beg your pardon? - ed)

The very existence of the former members of the Smiths and their now enormous families – many members of which are now supported by the British taxpayer whether the British taxpayer likes it or not – is entirely against any notion of democracy, and is against freedom of speech. For a broad historical view of what the Smiths is, examine Gaddafi or Mubarak, and see if you can spot any difference. Like those leaders, I have been persecuted within an inch of my life, and all because of bloody democracy and rule of law. But ask Weeks why he did what he did - go on.


You won't be able to.


The Queen also has the power to give back the six counties to the Irish people, allowing Ireland to be a nation once again, as well as the legal right to overturn Judge Weeks' verdict. The fact that she has not done so is Fascism in full flow. What else could it be? Name one other European country that is controlled by its neighbour? And when you're done, try naming another lead singer who has been forced to hand over cash to his former drummer in what amounts to a shabby show trial. As a poet once said, 'Sorrow Will Come in the End...' (removed the Smiths references - sounds good overall - sorry I had to remove so much. Still reads nicely - ed. )

MORRISSEY


Morrissey's note: **It still reads nicely? Next time you want a 'celebrity article' edited to within a hair's breadth of its life and sucked dry of all wit, imagination and intrigue, I would suggest you approach Alan Titchmarsh. As for your suggestions about what to include in my autobiography, I must say I'm surprised. I had been under the impression you were, in fact, the editor of a no-marks publication that will publish any old celebrity article, rather than 'poet of a generation,' pop star and author recently approached by Faber. My mistake.



Would Morrissey really have written, "Her Maj", or could this piece possibly have been the work of one of the other MorrisseysWorld authors.... someone like Rustle Brand. I wonder whatever happened to him?


Day 1696 - It's Official

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If you were to go into your local HMV record shop today (if it hasn't been closed down, as my local one was in 2013) and ask for a copy of the UK's Number 1 single, you would no doubt be met with a blank look, for a physical copy i.e. record, cassette or CD of One Dance by Drake featuring Wizkid & Kyla doesn't actually exist.

Drake and his mates aren't of course alone in not releasing their single - if it can still be called a single - in a physical format, as virtually ALL the songs in the UK 'Singles' chart these days are released only as a download, but as I wrote a couple of weeks ago, last April, due to a "huge surge in interest in the sector", the Official UK Charts Company launched an Official Vinyl Singles Chart - THE RECORD WAS BACK!

Those releasing singles on vinyl in the past year include old lags who grew up with the format, such as Paul Weller, New Order and Noel Gallagher, as well as modern day artists who understand their heritage, such as Slaves and Wolf Alice. All of the aforementioned have scored Number 1s, whilst the other major releasers of singles on vinyl are record companies, looking to cash in on that surge in popularity... well they would wouldn't they! Bowie, Dylan, Elvis, Queen and the Rolling Stones have all been repackaged and reissued during the past 12 months, resulting in Number 1s for the lot of them. When the reissue of Dylan's Like a Rolling Stone hit the top on November 13th 2015, it was the first time that he had ever had a UK Number 1 single.


FIRST OFFICIAL DYLAN UK NUMBER 1

And Dylan isn't the only'old lag' to achieve a first Official UK Number 1 Single. Earlier today, the new Top 40 Vinyl Singles Chart was published, and at Number 1 is The Boy With The Thorn In His Side recorded in 1993 by the late Jeff Buckley. Not only is it Buckley's first Official UK Number 1, but it is also the first time that a song written by Morrissey or indeed Johnny Marr, has ever been to Number 1 in an Official UK Singles Chart.


FIRST OFFICIAL MORRISSEY UK NUMBER 1



I now look forward to Morrissey achieving a Number 1 as a recording artist..... whatever happened to that Jack the Ripper release?

Day 1700 - The missed O's of Gothenburg

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MerryAnne (@sadglamour) tweeted a photo earlier today of Morrissey making 'owl eyes' with his fingers in Gothenburg at his book signing in 2013. I had not ever seen this photo before, and therefore must list it as an officially missed sign for the Blue Rose Society.


MORRISSEY MAKING OWL EYES - GOTHENBURG 2013

Our Mozzer first introduced us to the 'Owl eye' sign in November 2011, when he published a collage on his MorrisseysWorld blog.




THE OWL EYE COLLAGE FROM THE MORRISSEYSWORLD BLOG - NOVEMBER 2011

Following the publishing of the collage, the image went on to become the symbol for the BRS, with Morrissey making the sign a number of times on stage, including at the Conan TV show.


 That Gothenburg book signing also saw Morrissey displaying and then touching a vase of roses. Oh those halcyon days of the Blue Rose Society.

Day 1701 - Return of the Mac troll... and Moz

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At 4.30pm yesterday, our old friend Mancladmozfan tweeted to hint that Morrissey was heading to London. Manclad is a trolley dolly for one of the major airlines, so has access to passenger details.

MANCLADMOZFAN AT WORK

My immediate thought was that perhaps Moz might pay a visit to The Wrong Arms prior to flying, which he sometimes does; usually tweeting something about not being around for much longer.... that fear of flying obviously grips as strong as ever!

I wasn't to be disappointed, for at 7.15 (11.15am LA time) Our Mozzer popped in for a few exchanges, which I am pleased to say, included his possible departure. Here are his offerings:

"Lick the floor where the queen has stepped or bow in submission instead."

In reply to @ToryJesusSays tweeting, "I believe the lady doth protest too much. A closet monarchist?":

"Have you been following? I mean really!"




DAVID WALLIAMS, BOWING TO HIS QUEEN

"Kiss me quick, soon I'll be gone"

In response to bit-part actor, Ewen Macintosh (who played the part of Keith in The Office 15 years ago... and not a lot since) posting a 'eyes to the skies' face emoji and sarcastically tweeting, "Ah, Mozza is on the old Twitter again I see":

"Did you pay for your followers? I don't recall you doing much post-Office. Are you waiting for a John Prescott biopic?"

Marcus the Greek (who is a friend of Keith's, er, I mean Ewen's) tweeted, "That's cruel", to which Our Mozzer replied, "and?"

Keith, er, I mean Ewen, it's Ewen, it's Ewen; who incidentally has mocked MorrisseysWorlders back in 2011, '12 and '14 for believing that Morrissey was on Twitter, then tweeted, "Being cyber bullied by the emo kids. Now I've seen it all!" Typical of his type, happy to dish it out, but cries "bully" when he gets it back. Poor, poor Keith!

MACINTOSH

PRESCOTT

Our Mozzer's final offering was, "Always."

At 5pm LA time, social media started to report that Morrissey was at LAX - Manclad's info was once again correct. Perhaps now that Our Mozzer is back in a proper time zone, we will get to see him in The Arms more often.



MORRISSEY AT LA AIRPORT - SPORTING A GEORGE MICHAEL (OR IS IT SAM SMITH) BADGE ON HIS CARDY

In other news, Biebs has had a small cross tattooed on his face, has shaven his head, has broken down in tears on stage, has announced that he will no longer have photos taken with fans, and has been feeding squirrels bare foot in the park. It is surely only a matter of time before he discovers the music of the Smiths.

Justin Bieber

Day 1704 - 5 Years

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Five years ago today, a statement was posted on True-To-You  entitled, Morrisseysworld.blogspot, with the following wording:

"Morrissey would like it known that the site known as Morrisseysworld.blogspot is fake. Morrissey has no connection with the site and is therefore not the author of anything written on the site."

Prior to this statement, there had been NO mention ANYWHERE of the MorrisseysWorld blogsite, so why on earth did Morrissey draw attention to it? Why indeed!

If you can be bothered to read through this blog from the very beginning, you will not only find the answer, but you will also discover a whole lot more.... and Morrissey.




























"The best mysteries are made never to be solved. Mystery is the soul of art, just as certainty is the soul of science." - Our Mozzer

BlueRoseSociety.tumblr.com 

Day 1705 - Little streamer, stream on!

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My blog entry of yesterday; marking the 5 year anniversary of MorrisseysWorld, had the lowest number of page views since I first started writing this blog. With the exception of a handful of loyal readers who have continued to stay involved with the MorrisseysWorld phenomenon, everyone else has bailed out. Those who had been reading my blog because they had a hunch that perhaps the deluded dozen might just have got it right, have obviously now lost interest, and discarded their hunch. I doubt even Rosy Mires reads FTM anymore.

I remain baffled as to HOW Morrissey fans failed to see what was right in front of their eyes, but I am no longer shocked. Over time I have come to realise that unless something has a 'tick' of authenticity, or unless people are TOLD something by  someone in 'authority', then it simply CANNOT be true. Morrissey couldn't have been involved with MorrisseysWorld because Morrissey didn't say so; in fact, he said the opposite, so that was good enough for the masses. The story ends.

MORRISSEY'S DENIALS AND PICTURES LIKE THIS ONE ON THE MORRISSEYSWORLD BLOG, CONVINCED MORRISSEY FANS LIKE ROSY MIRES THAT HE WASN'T INVOLVED

Yesterday, Morrissey issued a statement on True-To-You congratulating the Smiths, Stephen Street and Rough Trade for, "30 fantastic years of sales for The Queen Is Dead, which is 30 years old in June." It is quite possibly the nicest thing that Morrissey has said about Judas Joyce in the last 20 years!


MORRISSEY AND STREET

The TTY statement went on to add, "I urged Warner UK to issue a social 'The Queen Is Dead' single release for the first week of June... but... brick wall. Bleeding to death, I therefore have the restless gall to ask of you that, should you have 99 cents/pence that you purchase 'The Queen Is Dead' track in the final week of May, thus possibly edging it into the corner of everyone's ear in the UK Top 100."



I really CANNOT understand why Warner UK would not want to release a 30th Anniversary single; particularly as Jeff Buckley's version of The Boy With the Thorn in His Side sits proudly at the top of the Official UK Singles Vinyl Chart for a second consecutive week, but they must have their reasons - as Morrissey also wrote in the TTY statement, "perhaps some label bosses have their eye on a tatty OBE".


MAX LOUSANA - CEO WARNER MUSIC UK - AFTER A TATTY OBE FROM HIS QUEEN?

There is currently HUGE interest and demand in vinyl, and only two days ago, a real hubbub occurred when a new Radiohead 7" turned-up in independent record shops - it sold out within hours. A The Queen Is Dead 7" would undoubtedly have created a similar hubbub.

Radiohead Burn the Witch / Spectre 7"

Following on from the TTY statement, my immediate thought was to start a campaign to get people downloading The Queen Is Dead in the week commencing Friday May 27th - Morrissey's thinking, no doubt, is to have TQID in the chart in the week leading up to Elizabeth Battybird's 'official' 90th birthday on June 11th.

As I don't have Facebook, I posted a tweet urging people to buy TQID from May 27th, and asked all of my 143 followers to re-tweet my tweet, to help spread the word. I got a grand total of 9 retweets! It dawned on me that I wasn't going to be very useful in this campaign, so paid a visit to the Morrissey Solow website, to see what they were doing to get The Queen is Dead into the chart. As it is a Smiths song and not a Morrissey solo song, I had hopes that Uncle Skinny & Co would, for once, be positive about such a campaign, but as soon as I read Skinny calling the idea "sad" and him telling anyone who would listen that the song is not in fact about the Royal family in any way, shape or form, I realised Solow would be as useless as ever... and also realised that Peter Finan (Uncle Skinny) remains a cunt of the highest order. He is so far down his hole of hatred, that all he can now see is darkness and dirt.


WHY INDEED!

This morning, as I sat thinking how I could get a campaign going to get The Queen is Dead into the chart; similar to the campaign that successfully got Killing in the Name to No.1 and Ding Dong The Witch is Dead to No.2, it suddenly dawned on me that in 2016, it is in fact impossible to manipulate a song into the charts. In 2014, chart rules changed, allowing audio streams to count towards the UK Singles Chart. Inevitably, just as the 7" vinyl replaced the 10" shellac, and the CD single replaced the 7", and the download replaced the CD single, the audio stream has now replaced the download; to such an extent that Apple are now planning to TERMINATE downloading within the next two years - the download's dead boys, and it's so lonely on a stream.

itunesstoredownloads-42019

My two offspring - I can no longer call them children - are 16 and 17, and listen to music all day, every day. They are typical teenagers, and like all of their friends, neither of them owns ANY FORM of physical music whatsoever. They both pay a monthly subscription to Spotify, and have NO INTEREST  in 'owning' copies of the songs they listen to. This is the modern world.

The music industry has gone through unbelievable changes over the past decade, but if the 'buying' of downloads does disappear, I see it as a really positive thing for both music consumers, and  recording artists. It would effectively leave two consumer camps: those who want to OWN a copy of the music they listen to - like me - and those who want to RENT a copy of the songs they listen to - like my kids. It would be a bit like the housing market, with the purchased download representing nothing more than a holiday, and not a home at all - you pay for it, but have nothing to show after. The way I see it working, is that a record or CD is released on a certain date, with a free download code, and it is then made available for audio streaming very soon after. This is pretty much what happens with film releases.

As for a track from The Queen is Dead getting into the chart, I guess that is only likely to happen when Battybird dies, or when Moz dies.

In other news, Mademoiselle Fifi popped into The Wrong Arms this afternoon, to listen to me playing Diana Dors's, Hooray For Love on the jukebox, and to exchange a few nothings with myself and Manclad. If only the masses and those with hunches had realised. Oh well!

Day 1707 - Weird lover Wilde is on mine

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Yesterday, I travelled up to Londinium on the train, in order to see Ricky Gervais perform an 'in progress' gig at the Finchley Arts Depot. As I often do when I travel to London, I decided to wear a Morrissey t-shirt - I see it as 'wearing my colours', just as British football fans wear their teams shirt when travelling to Benidorm for their summer holiday.

A BRITISH FOOTBALL FAN HEADING TO BENIDORM FOR HIS ANNUAL HOLS

My t-shirt of choice for yesterday's journey was the one with the Oscar Wilde picture emblazoned with, 'WHO IS MORRISSEY?'.

As I pulled the shirt on, I smiled to myself, remembering the huge stage backdrop that Morrissey used in 2012 of Oscar with a speech bubble, asking that question..... and then it suddenly dawned on me just how little the Blue Rose Society made of that backdrop - it was a MASSIVE sign, in that Our Mozzer had just formed the rose society on his MorrisseysWorld blog in honour of Oscar, and here was Morrissey having Oscar basically asking, who are yer?

Morrissey
THE OSCAR BACKDROP AT RADIO CITY HALL, NEW YORK IN OCTOBER 2012 - THE SCENE OF THE FIRST ACCEPTANCE OF A BLUE ROSE BY MORRISSEY

When the backdrop first appeared in Nagoya in May 2012, I simply observed on Day 231 of FTM, "The backdrop was Oscar Wilde, with a speech bubble asking, 'Who is Morrissey?'. NONE of the other BRS regulars picked up on the importance of the backdrop either, with the only comment left regarding it at all on Day 231, coming from Jaz (calling herself Zazie back then), who wrote, "that backdrop is suspicious." A MORRISSEY BLOG STARTS A ROSE SOCIETY IN HONOUR TO OSCAR WILDE, MORRISSEY THEN ADDS WILDE AS A BACKDROP, AND WE FAIL TO SEE THE RELEVANCE! YOU COULDN'T MAKE THIS UP!


"OSCAR WAS THE FIRST OF THE GANG" - AS SUNG IN NAGOYA, MAY 2012

As I sat on my train yesterday, I posted a picture on twitter of me wearing the Oscar shirt, and tweeted, "I don't think we really appreciated at the time just how BIG  a nod to the BRS the 'Who Is Morrissey?' backdrop was." Mademoiselle Fifi marked the tweet as a 'like'... and probably looked to the skies at our incompetence.










And whilst I am on the subject of Morrissey t-shirts, I can report that the (Following the) 'Mozziah' t-shirt that appeared in the Morrissey MPorium in mid March, has now disappeared. It was obviously a special limited edition. I am so pleased that I bought one, but I don't imagine many others did. Some new designs have taken its place, including a, 'this very smug mug of mine', released just as You Are The Quarry - the greatest LP EVER - turns 12.

Smug Mug Tee Sky Blue
And as for Gervais; who was possibly involved in the writing of MorrisseysWorld, he was very funny, touching on subjects like rape and masturbation. What I like about Gervais is that, just like Moz, he does what he wants, says what he wants, and doesn't give a shit who he offends.



And finally, Esther, and finally, Cyril, Our Mozzer put his head around the door of The Wrong Arms just before 1pm today to tweet, "Immaculate rejection". Has Morrissey received yet another set back in his quest for a new record label?  And why oh why hasn't he been signed by the Beggars Group? The independent Beggars would be perfect for Moz, where he could release on either Richard Russell's XL Recordings or the Beggars Banquet label a la Nico? It would seem to be the perfect next home for Moz. Come on Richard Russell, let's be having you.

RICHARD RUSSELL

*Goes off singing* Friday mourning, there comes a time, before that breaks this very smug mug of mine

Day 1710 - Oh, cheeky cheeky

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Our Mozzer has made a couple of appearances in The Wrong Arms over the past couple of days.  On Wednesday afternoon he tweeted a picture of the Australian flag, and later on tweeted:

"I am human kindness" followed by,

"Honour thy error" and then later in the evening

"I didn't understand Joy Division then and I do not now."

I replied to the latter, "If Curtis hadn't died when he did, they would have been long forgotten... Love Will Tear Us Apart was their ONLY song of note", to which OM replied

"and what a note it was"


IAN CURTIS - A ONE NOTE PONY


Yesterday afternoon, OM tweeted,

"Please message me the names of your least favourite audience members. I know them all. Nothing like a bit of drama to keep me entertained"

And that was it!

I am wondering if "honour thy error" could be a clue to Morrissey's next album producer. In 1975, the legendary Brian Eno produced a set of cards called, Oblique Strategies, and one of the 113 cards had, 'Honour thy error as a hidden intention' written on it. How wonderful it would be to have an Eno produced Moz album.




Following the tweet of the Australian flag, OM sent me a 'direct message' saying,

"Do not report on my latest post"..... so for now, I won't publish this entry, but I really don't know why OM wants to start censoring me now, when I have been writing about his tweets for the past 5 years! Its not as though he is the real Morrissey, and it's not as though anyone believes a word I write. So what if an Australian tour were to suddenly be announced; me writing about it means NOTHING! What is more, the whole point of this blog of mine is to write about the tweets of the faker who is claiming to be Morrissey.... bollocks to it, I WILL publish after all, and to hell with the consequences.

*Goes off talky singing* Oh, cheeky cheeky, oh naughty sneaky, you're so perceptive, and I wonder how you knew

Day 1712 - The Number 1 songs of May 22

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Pop music came into Morrissey's life at an early age, and he was always very interested in the charts. Many songs that Morrissey listened to in those formative years played a big part in shaping him as a pop star of the future, so as a way of celebrating Morrissey's 57th birthday today, I have decided to make a list, and add a few comments, of the songs that were top of the UK Singles Chart on May 22nd from his birth in 1959 to the end of Morrissey's teenage years in 1978.

May 22nd 
1959 - A Fool Such As I (Double 'A' Side with I Need Your Love Tonight) - Elvis Presley (RCA)
A great Number 1 to be born to, with a very 'Moz like' title. Elvis would of course turn out to be a great influence on Morrissey, and Moz even got to record on the RCA label in the mid 1990s.



1960 - Cathy's Clown (b/w Always It's You) - The Everly Brothers (Warner Brothers)
Morrissey's first birthday was heralded by a number one with the rather apt opening line of 'Don't want your lo-ooo-ove anymore'. Cathy's Clown was the very first record on the Warner Brothers label, a label which these days owns the publishing rights to The Smiths songs... and has just refused Morrissey's request to reissue The Queen Is Dead as a single.

1961 - You're Driving Me Crazy (b/w Charley My Boy) - The Temperance Seven (Parlophone) 
For birthday number two, trad jazz was enjoying a comeback in Britain, and this quirky tune (written by Brill Building songwriter Walter Donaldson) sat on top of the UK charts. It was a first No.1 for future Beatles' producer, George Martin, who 25 years later would be asked by The Smiths to produce The Queen Is Dead - he declined.
 Was You're Driving Me Crazy the Something Is Squeezing My Skull of 1961? Er, no, probably not. Morrissey also went on to release records on Parlophone.

1962 - Good Luck Charm (b/w Anything That's Part Of You) - Elvis Presley (RCA) 
Another of The King's songs greeted The Mozziah's third birthday, and it was another song from the famous Brill Building writing team, this time Wally Gold.

1963 - From Me To You (c/w Thank You Girl) - The Beatles (Parlophone) 
Morrirrey's fourth birthday coincided with The Beatles celebrating their third week at number one with From Me To You, and incidentally, it was one of the few songs actually written by Lennon & McCartney (or McCartney & Lennon as they were known then) together, as they travelled on a coach to Shrewsbury. The influence would have been huge on Morrissey, who subsequently wrote ALL of his songs on coaches to Shrewsbury.




1964 - You're My World (b/w Suffer Now I Must) - Cilla Black (Parlophone) 
By the age of five, Morrissey was no doubt bopping around the front room, and it isn't hard to picture him belting out 'You're My World', which was Cilla's second number one of '64; although it is the Bobby Willis (Cilla's husband) penned 'b' side, 'Suffer Now I Must', that has been named by Morrissey as one of his favourite songs, and no doubt a song that influenced his own writing.... and general outlook on life!


CILLA AND BOBBY

1965 - Long Live Love (b/w I've Heard About Him) - Sandie Shaw (Pye) 
 Long Live Love was written specifically for Shaw by Chris Andrews, who wrote a number of her hits. A six year old Morrissey would have had no idea that he too would be writing songs that Shaw would be recording less than twenty years later. The b side, I've Heard About Him is a beauty. Pye is one of the few major record labels of this period that Morrissey actually hasn't recorded for, but he may have been close to doing so when Sanctuary reactivated the label in the summer of 2006. Morrissey left Sanctuary soon after.


MORRISSEY & SISTER JAQUELINE - 1965


MORRISSEY AND SHAW IN '84

1966 - Paint It Black (b/w Long Long While) - The Rolling Stones (Decca)
Is it really that hard to understand why Morrissey turned out the way he did, when his seventh birthday was greeted by the number one lyric of, "I look inside myself and see my heart is black"? Decca is yet another label that Moz went on to release on.


MORRISSEY - 50 YEARS AGO - AGED 7 IN A TREE


1967 - Silence Is Golden (b/w Let Your Hair Hang Down) - The Tremeloes (CBS)
It is doubtful that the eight year old Morrissey spent his birthday money on this cover of the Four Seasons song, especially as it knocked Sandie Shaw's Eurovision winner 'Puppet On A String' off the top of the chart. The Tremeloes singer Chip Hawkes would later see his life take a turn for the worse, as he went on to father Chesney.

1968 - Young Girl (b/w I'm Losing You) - Gary Puckett & The Union Gap (CBS) 
As the charts went through a late 60's lull, perhaps the nine year old Morrissey saved his birthday money once again, just waiting for Bowie & Bolan to break into the mainstream....or he may have spent it on sweets!

1969 - Get Back (b/w Don't Let Me Down) - The Beatles (Apple) 
As birthday Number 1s go, to have had two from Elvis, two from The Beatles, plus one each from Sandie, Cilla and The Stones by the age of ten, wasn't bad going.

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MORRISSEY - FAR RIGHT OF THE PHOTO

1970 - Back Home (b/w Cinnamon Stick) - The England World Cup Squad (Pye) 
The first ever football song to reach the top of the charts, and one can only guess as to whether an eleven year old Morrissey was gripped enough by the build-up to the 1970 World Cup Finals to purchase this seven inch. If he did, the dreadful 'b' side 'Cinnamon Stick' may have intrigued him more. I'd guess that a young Steven was more interested in collecting the Esso World Cup coins....maybe.



1971 - Knock Three Times (b/w Home) - Dawn (Bell) 
1971 saw Morrissey's beloved T Rex achieve two number ones, with Hot Love in March, and Get It On in July. Knock Three Times by Tony Orlando (Dawn weren't even formed at this stage, it was just a made up name) would have been all over the radio, but would a twelve year old Morrissey have liked or bought it? I doubt it.



1972 - Metal Guru (b/w Thunderwing c/w Lady) - T. Rex (EMI) 
The fourth and final T. Rex number one (Telegram Sam hit the top in Feb '72), Metal Guru would surely have been among Morrissey's thirteenth birthday presents; unless of course he had already bought it for himself.  Bolan said at the time that, "Metal Guru is a festival of life song. I believe in a god, but I have no religion, and I thought God would be all alone without a telephone." Bolan was also quoted as saying, "I don't answer the telephone anymore, I have codes where people ring me at certain times." It is VERY easy to see the HUGE influence Bolan had on Mozzer, who not only went on to record for EMI, but also copied the T Rex style of record cover.







1973 - See My Baby Jive (b/w Bend over Beethoven) - Wizzard (Harvest) 
As Morrissey hit his fourteenth birthday, the mainstream charts would have been having much less effect on him, and he was probably starting to discover alternative, less commercial music. Where as 1971 & 1972 had been great years for pop, 1973 saw glam rock become more mainstream, and the teenyboppers emerged as Donny Osmond and David Cassidy arrived on the scene. The Harvest label was yet another from this era that Moz ended up releasing on.

1974 - Sugar Baby Love (b/w You Could Have Told Me) - The Rubettes (Polydor) 
When Showaddywaddy turned down the offer to record Sugar Baby Jive, the writers, Wayne Bickerton & Tony Waddington decided to manufacture a band, who they subsequently named the Rubettes. I would be amazed if the fifteen year old Morrissey had any interest in this song, and no doubt even his love of the Eurovision Song Contest was waning by '74. Remarkably the Rubettes label, Polydor, was yet another that Morrissey would go on to record for, although Moz would insist that the actual labels on his 7 inch singles would be paper, and not the plastic ones that had started to appear in 1974.



1975 - Stand By Your Man (b/w I Stayed Long Enough) - Tammy Wynette (Epic) 
I very much doubt a sixteen year old Morrissey added this single to his collection, and very few other songs from the charts of '75 would have said anything to him about his life.

1976 - Fernando (b/w Hey, Hey, Helen) - Abba (Epic) 
A seventeen year old Moz celebrated his seventeenth birthday to the sound of Abba, which was then knocked off the top of the chart by J.J.Barrie's No Charge. The charts were in a poor shape, and it was no wonder the teenage Morrissey fled to his Aunt Mary's home in America, and on his return, locked himself away in his bedroom.

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MORRISSEY WITH AUNT MARY IN NEW YORK - 1976

1977 - I Don't Want To Talk About It (Double 'A' side with The First Cut Is The Deepest) - Rod Stewart (Riva) 
By 1977, 18 year old Morrissey was into punk, and must have been horrified to see Rod Stewart at the top of the charts, especially as this song went on to hold off the Sex Pistols's  God Save The Queen from Number 1. It later transpired that it had been fixed to keep God Save the Queen off the top.

1978 - Rivers of Babylon (b/w Brown Girl In the Ring) - Boney M (Atlantic) 
A 19 year old Morrissey would NOT have bought Rivers of Babylon.... but a 12 year old me did!



HAPPY BIRTHDAY MORRISSEY.





Day 1713 - EU have killed me

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One month today, the people of the dis-United Kingdom will go to the polls in a referendum on whether or not to stay in the European Union. The reason that we are having this vote is because the Conservative party promised it as part of their election manifesto.... not that they usually stick to their promises, but Cameron & Co see this as a perfect opportunity to get rid of UKIP, who have stolen away a number of their voters.

Some rebel Tory MPs can see the bigger picture, and are campaigning to come OUT of the EU because they realise that the unknown and unelected bureaucrats in Brussels who currently make ALL the major decisions concerning the way the UK is run, don't actually care two figs about us.


THE PRESIDENT OF THE EUROPEAN COMMISSION - NAME UNKNOWN - DOESN'T CARE TWO FIGS FOR THE UK

Rather unbelievably, the Labour party, the Lib Dems, the Greens, and the Scottish Nationalists are all backing the Conservative campaign, and are TELLING their supporters that they should vote to stay IN, but this is because they all have hidden agendas. The SNP for example will one day need Europe's assistance when Scotland eventually vote to break away from the UK, whilst the Lib Dems will, like the Tories, see this referendum as the perfect chance to get rid of UKIP once and for all, and therefore win back the 3 million voters they lost at the last General Election. God only knows why the Labour party are backing the 'IN' campaign, but the party generally have no idea what they are doing... although I do like that Mr Corbyn, he seems a good egg.


Whether us Brits like it or not, with all the major parties TELLING their supporters to vote 'IN', this referendum is going only one way.

Morrissey has so far not expressed a public opinion on whether or not he thinks Britain should leave the EU, but today he gave a clue as to his thoughts, by retweeting a tweet of mine that read:

"The UK is governed by an EU commission that has no interest in us. On June 23rd the people have the chance to get rid of them... but won't."

Our Mozzer's retweet would suggest that he too thinks very little to the commission.


The only other sign of OM in the past few days, was on Saturday, when he tweeted:

"Live in the past, die in the future"

Meanwhile, Mademoiselle Fifi put in an appearance at The Arms this evening, sharing a few pleasantries, and posting some Brigitte Bardot songs.

In other news, despite claims by the organisers of Riot Fest in Chicago that Morrissey was to be on the bill, a statement on TTY today claims that he isn't. It's the IOW all over again!

Day 1716 - 15 to 1

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A couple of weeks ago, Morrissey issued a statement on True To You urging fans to download the song, The Queen Is Dead, to try and get it into the UK Top 100. I wrote on Day 1705 of FTM that because of the way the UK charts were now structured; with audio streaming playing such a major part, that getting fans to download the song wouldn't be enough it into the chart - you would need to get a few thousand downloading to compete with the Spotify generation.



Yesterday, a tweet appeared in my timeline that made me realise that there could an alternative The Queen is Dead campaign, which would not only be more fitting than Morrissey's idea, but also more achievable.... he can't get EVERYTHING right!

The tweet, which was actually posted by longtime Moz roadie, Joseph 'Jay' Joannides (@JayJ_casa) read:

"The Queen is Dead up to number 14 in the UK album chart. BUY, BUY, BUY this week to mark its 30th anniversary & make it number 1."

Although I follow the Official UK Vinyl Singles Chart every week, I hadn't looked at the LP chart for a while, so had NO IDEA that TQID was currently riding so high. Jay had actually got the position wrong in his tweet - TQID is currently at No. 15, not 14 - but even so, it HAS to be possible to get it to No.1 in time for the 30th anniversary on June 16th.


Yesterday afternoon, I set about posting the following tweet to as many record shops as I could find on twitter:

"The Queen Is Dead by The Smiths is 30 years old on June 16. It is currently No15 in the UK Vinyl Album Chart. Let's get it to No1. RT "

This afternoon, a new statement has appeared on True-To-You, which would seem to indicate that a certain Monsieur Mozzer has picked-up on the idea. It reads:

"The Smiths'The Queen is Dead is number 15 in this week's official UK vinyl charts. Hatful of Hollow by the Smiths is number 35."


As it happens, my original 1986 vinyl copy of TQID on Rough Trade got destroyed during a house move 20 years ago, and I have never gotten around to replacing it. I shall now replace it next week, with a copy of the 2010 reissue on Rhino.

In other news, Our Mozzer poked his head around the door of The Wrong Arms this afternoon to tweet:

"I know so much more if you're willing to pay"

I will now be listening obsessively every time Morrissey sings Kick the Bride in concert, to see if that lyric change gets used. And if it did, it would of course be nothing more than a coincidence - it always is!

The Queen Is Dead £11.75

Day 1721 - Norwegian blue... pining for the fjords

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It has been fairly quiet in The Wrong Arms of late, but announcements over the past few days on TTY that Morrissey is to play some concerts in Turkey, Israel and Norway in August has set the place alight; with talk aplenty of blue roses in Norway. Both Natalie (@HoarselyCry) and Ewa (@Ewals64) have pledged to take blue roses, which has left me pining for the fjords.... depending on dates, I may try and go.


STAVANGER, NORWAY - WHERE MORRISSEY WILL PLAY IN AUGUST

Mlle Fifi made a whistle stop visit to The Arms on Thursday, merely to 'like' a Bardot picture tweeted by MerryAnne, and to 'like' a tweet I had posted for him (remember Mlle Fifi is actually a man) about my French not being very good. No sooner had Mlle left the building, then Our Mozzer appeared, tweeting, "Language is your enemy". Hmm.



Our Mozzer's next appearance was on Saturday evening, when he tweeted, "Not a single piece of art has come from the mental hospital they say. May I point them to World Peace Is None Of Your Business". When Harrison (@OdysseyNumber5) enquired, "Do you believe there is a fine line between genius and metal illness?", OM replied, "I am that line".... and then he was gone.

THE LINE

There was another 'one tweet' appearance from OM last night, when he tweeted, "What a novel my life is", which has got me wondering if Morrissey may be currently penning a new novel... or perhaps the tweet was a reference to his current life, in that it is taken up with the audio recording of List of the Lost, which is due to be released at the end of June.

Today's single tweet appearance from OM followed-on from all the chatter about blue roses in Norway. He tweeted, "Tangled up in Blue".

And finally, news has just broken that the animal loving comedy writer, Carla Lane has just died, aged 87. Her BBC situation comedies The Liver Birds and Butterflies were two of the finest and funniest programmes of my youth - yet another true talent has ceased to be.

CARLA LANE 
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